Suspaustas laikas

Miglės Križinauskaitės-Bernotienės / Impetus / 2021 / 4’4’’
Manto Narkevičius ir Karolio Dikčiaus / Pilna Spinta Baisybių / 2022 / 19’30’’
Alginos Bedulskės ir Giedries Žaliauskaitės / STILL HERE / 2021 / 8’11’’

Schizophrenia / Yuri Muraoka / Japonija / 2016 / 10’
Other Tidal Effects / Sofia Theodore-Pierce / JAV / 2021 / 6’45’’
D1: Remembrance of a Summer from an Etobicoke Hotel / Callon Murphy / Kanada / 2022 / 11’21’’

Center Fugue, Roberts Vanags (2021, 3’ 20’’)
Bonds Of Time, Henrijs Laķis (2021, 16’ )
Père au ciel (Father In Heaven), Kei Sendak, (2021, 4’ 30’’)
Thanatophobia, Ieva Balode ir Michael Higgins (2022, 11’ )
Rythms of Wind, Filips Šmits (2021, 2’18’’)
Compos Mentis, Linda Lindenberga (2021, 6’ )
?, Betija Zvejniece (2021, 2’ 40’’, 16mm)
The Silva Method, Mersedes Margoite (2021, 5’ 25’’)
ReaLitis, Sintija Andersone (Latvia, 2021, 4’ 20”)

Misty Picture, Girardet Muller (2021, 16' )
Laila's Apple, Azar Saiyar (2021, 8' )
Polte (Flame), Sami van Ingen (2018, 15')

Prism, Rosine Mbakam, Eléonore Yameogo, An Van Dienderen (2021, 79')

MOVA OBORONY, Oleksandr Isaienko (2022 / 12’ 13’’)
Al Atlal (The Ruins), Raed Rafei (2021, 15’ 37’’)
What is not seen, Paulo Abreu (2020, 23’ 24’’)
US, Nelson Fernandes (2021, 5’)

Wunderkammer 10.0, Soyun Park, Inwoo Jung ir Yelim Ki, (2021, 32’’)
We May Go in a Different Direction, Sally Lawton (2021, 9’ 34’’)
Lat.Copiare, Claudia Ungersbäck (2016, 3’ 40’’)
BOOKANIMA: Dance , SHON KIM (2021, 7’ 31’’)
Cortázar, Argyris Germanidis, Katerina Strauch (2021, 10’ 1’’)

Row Row, Forward we go / Aditya Martodiharj / 2021 / 12’
Caterpillar reaction / Angus peter / 7’
Is Anybody Coming to Dinner / Audrey Lam / 2022 / 9’
MAPLE / Callum Ross-Thomson and Lucas haynes / 10’
Fade / Callum Ross-Thomson / 2017 / 6’
Self Portrait With Bag / Dianna Barrie / 2020 / 6’
Watercourse, Hanna Chetwin, 5’
Sensor Lights in Flemington / Lucas Haynes / 2022 / 10’
TIANGONG-1 / Paddy Hay / 2018 / 8’
Valpi / Richard Tuohy / 2019 / 9’

MOVA OBORONY / Oleksandr Isaienko / Ukraina / 2022 / 12’ 13’’
Ruined World: An AI Elegy / Zoran Poposki / Hong Kongas / 2022 / 9’ 9’’
Elegy in Light / Alina & Zareh Tjeknavorian / Armenija / 2016 / 10’ 21’’
She heard nothing in Matsu. She heard everything /Yannick Dauby/ Taivanas/2021/ 32’ 04’’

Matt Whitman (born 1988, in Pennsylvania, United States) is an artist and filmmaker working with 16mm and Super8 motion picture film. He has been making films since 2010 and records almost all of his work using various sizes, installations, and arrangements of video monitors and LED screens. Human beings do not appear in his films except as digital images and most films are without a soundtrack.
This is the first solo screening of his work outside of the United States and his first ever
screening in Lithuania.
Previously, his films have screened at the Chicago Underground Film Festival, Winnipeg
Underground Film Festival, Ann Arbor Film Festival, ANALOGICA, Fracto Experimental Film
Encounter in Berlin, Kinoscop in Belgrade, Process Festival in Riga, and exhibited at the
Everson Museum of Art in Syracuse, New York. Later in August, THAT WAS WHEN I THOUGHT I COULD HEAR YOU will be exhibited at San Francisco Cinematheque’s Crossroads 2022. He lives and works in Brooklyn, New York and has taught at Parsons School of Design since 2014.

Film digitalia, No. 15 (2013) 3min - Super8 transferred to 16mm
Late (2014) 3 min - Super8 transferred to 16mm
Film digitalia, profile picture, No. 13 (2019) 4 min 16mm
Self-torture collider in H.264 (2020) 7 min - 16mm
SOME DAY IN THE NEW MILLENNIUM (2021) 5 min -16mm
Film digitalia, profile picture, No. 8 (2019) 4 min - 16mm
HOW MUCH LONGER (ON BALLOONS) (2019) 2.5 min - Super8 transferred to 16mm
THAT WAS WHEN I THOUGHT I COULD HEAR YOU (2021) 9 min - 16mm